SERVICES
Engineering / Recording
Production / Arranging
Mixing / Editing
Soundtrack
Location Recording
Live Recording

WHAT CAN I DO FOR YOU?
-Engineer / record sounds on my gear, your gear, their gear..
-Help you produce and arrange.
-Mix stuff you have already recorded
-Play on your songs
-Record your live show
...Or any combination of the above

ENDORSED!

"Just wanted to give a whole hearted endorsement of Mr. Loewenstein's recording service. The man knows what he's doing! he works his ass off. No frills. If you want your recording to sound natural and reflect your true sound, use him. You won't be disappointed.".

--Jeff Fox (empire state troopers)

PRESS:

Empire State Troopers CD
Heavy Planet: March 3, 2008
Funeralopolis.com: March 2, 2008
Metroland: January 10, 2008

ARTISTS:

Sebadoh
Fiery Furnaces
Coliseum
Black Cross
Breather Resist
Empire State Troopers
Dust Dive
Decoy
Arch
Second Story Man
Black Cross
John Houlihan
Great Planes
All Access
LP
After The Panic
Chumley
Jason Loewenstein
National Acrobat
Marah

EQUIPMENT:

RECORDING SOFTWARE:
Protools
Reaper
Cubase

DEVICES:
Presonus Firepod
Joemeek VC3 Preamp / Compressor (2)
Mackie 1604 VLZ 16 channel mixer
Tascam TSR8 analog reel to reel
Custom Built Audio Computers

MICS:
AudioTechnica 4033
AudioTechnica 40/50 CM5
CAD
Joemeek JM 27 (2)
AKG D-112 (2)
Radio Shack PZM (modded to XLR)
Shure SM58 (4)
Shure SM57
Samson Q7
ElectroVoice N/D 757A
ART PDB Direct Box

OTHER:
Line 6 POD amp simulator
Guitars
Basses
Banjo
Synthesizers
Oxygen 8 MIDI keyboard
Tascam DAT recorder
Digidesign M-Box
Event 20/20 Monitors
Samson 120 watt poweramp
Behringer Composer Compressor
Behringer Dualfex Exciter
BBE Sonic Maximizer
Rane FPE 13 Parametric EQ

On location:

My gear is fully mobile and I have found that bringing my gear to the artist, and / or setting up a unique recording situation outside of a typical recording studio is often the way to get the best results. I have brought my stuff to garages, lake houses, bathrooms, hallways, livingrooms, closets, and 'real' recording studios.

In this day and age, with the compact and transprtable nature of great sounding recording gear it is often not desirable, necessary,or realistic to go into a traditional recording studio. Fantastic results come from making recordings in a comfortable setting, not in an off-putting music hospital where the ticking of the clock becomes a death mantra of your creative energies.